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dublin

A fascination with Hally

March 29, 2017

I first came across the artist known as Hally sometime around the end of the 90’s. I saw him play at the small “Stables” venue in Mullingar, which was at that time, a kind of musical church, with a different preacher passing through every weekend. I don’t remember the exact year but it was one of the earlier shows I had attended at the venue. A friend of mine had invited me along to the show, he was keen to see the opening act… some guy that had once been the lead singer with a band called Juniper. That was the first time I ever heard the name Damien Rice. It was the first time I heard those songs. First time I had heard songs of that power in real life.

That was the beginning of my years of enchantment with Damien and with the singer songwriter genre as a whole. In truth the name of Hally only stayed with me because he played that first time I heard Damien. That was it. The name Hally remained there, lodged in some corner of my brain, frozen in frost, preserved, but rarely visited. I had no reason to think of the man. For 17 years I moved through my days happy and Hally-less. Then, earlier this year, a friend of mine sent me a link to a video … “check this out, I think you’ll like it…” and there he was again, this Hally, with his face painted white, dressed in a striped jumper and waistcoat, singing about beach balls and handstands:

 

 

My friend was right. I did like it. It turns out that this was the first song of a proposed 52 song project called “Peeling Onions”. The project will run throughout 2017, with one new song & video being released every Sunday. I had never heard of such a thing! What a wonderfully ambitious project ! I loved how Grand the whole thing was, the very idea was seductive. My main thought: Could it be done?. Well so far so good… At time of writing the project is in it’s 14th week, and each week, as promised, a new piece has been released online. It’s been at different times dark, playful, explosive, wild. The quality has been consistently high and the music eclectic. There is a jazz element running through many of the tracks. Some are spoken word, some are half sung – half scatted. All of them are interesting and fall left of field. Already this is becoming an impressive body of work.

In the years of Hally’s “absence”, his time away from live performance, he was still writing, still learning. He spent some years in New York City at the beginning of this century where he became more and more interested in the recording side of the music business. Here, he made his first steps on the road towards becoming a record producer. Upon returning to Ireland, Hally studied Music and Media technologies at Trinity College Dublin and eventually set up his own “Arthouse” studios in Naas, Ireland. This has been the headquarters for the Peeling Onions project for these past months. I had the pleasure of hanging out with him there for a few hours recently, drinking tea and eating biscuits and laughing about the ups and downs of a musical life.

 

 

Equally impressive as releasing a new song each week, is the fact that each one has an accompanying music video. These videos are made in collaboration with visual artists, illustrators and creators the world over, many of whom Hally met during his time in New York. Some, I believe are compiled from footage sourced online that is in the public domain, spliced among footage that Hally and team hally have produced themselves. Whatever it takes to get it done. As this project is developing in real time, and there is still some way to go, Hally is always looking for people to collaborate on these videos. So if you read this, and that’s your world, and you think you’d like to be involved with this project, do reach out to Hally on Facebook.

The latest song from the project “White”, is one of the strongest so far. The production and instrumentation is of the highest quality as always. The song opens with the line “White powder falling out my nose, my clothes have been the same for almost a year”. “White” is accompanied by maybe the strangest video of the bunch to date. It was taken down by facebook for excessive nudity. As Hally told me over the phone “It’s not in the least bit sexual”… The video, as with almost everything in this project, is challenging… it pulls you out of your ordinary day and makes you shift your thinking in the way that only art can. You can watch all the skin and nudey parts here:

 

His is an unusual musical world and this work will not be for everyone. But I’m very excited to see and hear what’s coming down the track. This is a brave and Grandiose project and I for one applaud it! and I really hope that it reaches the audience it deserves.

 

Click here to check out all of the songs at Hally’s Youtube channel

The first of four album release concerts is happening on Saturday April 8th at Dublin’s Unitarian Church. It’s a full band show for Hally & I’m honoured to have been invited to open up the show. If you’re in the area do come along. I’m planning on playing a bunch of new songs too.

Tickets, €15, are available here.

 


Older Post: 10 Years of Rain ↠

Sugar Rush – Dublin, June 20th

June 15, 2015

Live in Munich last month.

A week from now, I play The Sugar Club in Dublin city. I last played this beautiful venue in 2006, almost ten years ago, for the release of my first record “Wood”. It’s crazy how much has changed since then. It’s a whole new cast of characters, a whole new bag of atoms, instruments and songs! I was 22 years old then and bringing my very first record into the world. It was a good night and an exciting time. I must have been nervous as hell because I remember breaking a string on the very first song! I never break strings.

Live at the Sugar Club at the Wood album launch, September 2006.

Sadly, two of the musicians that played on that night in 2006 have passed away in the last years – Vinny Baker (who was my musical mentor and great friend, and who produced the album we were launching that evening) and Cani Bruton, a fantastic bassist and long time friend who played on my first two albums. Both are hugely missed and have left deep holes in man peoples lives. I’m sure some of their spirit will be in the music next week. In fact, recently I had the opportunity to acquire one of Vinny’s acoustic guitars, It’s a stunning instrument and I’ll be playing it next week, trying to do the great man proud!

The Late Greats. Two hugely talented and deeply missed friends -Cani Bruton & Vinny Baker.

The venue is beautiful with a great vibe and warm, clear sound. I’ve seen some great shows there in the last years. Among them Jazz singer Gregory Porter (one of the most amazing singers I’ve ever heard in the flesh), fellow Irish songwriter Rhob Cunningham, and most recently the mind-bendingly good Snarky Puppy. The room has the feeling of a classy old cinema or theatre, with it’s comfortable tiered seats, oval tables and wood pannelled walls.

The Sugar Club

For this gig on June 20th, I have the good fortune to be joined by the stupendously talented Nicky Brennan on electric gutar and Darren Sweeney on Bass. We’ll mostly be playing songs from the “Outlines” and “Overhead the Stars” records, along with a couple of brand new ones that I’m enjoying playing recently.

With a week to go I’m starting to feel that usual mixture of and excitement that comes with putting on a big show. On a Saturday night in our Capital City… I’m not nervous about the performance, the stage is where I feel the most at home and comfortable… the most relaxed. The songs are in good shape after two months of touring here and abroad. The guitars have just been re-strung. I’ve done good advertising, having put probably more money than is sensible into postering in the city and online stuff too… I’ve individually reached out to almost everyone I know and told them of the gig.

But yet, there is still the worry. The nervousness comes from that little voice in my head that Steven Pressfield calls “resistance”. Resistance appears whenever you try something bold, whenever you create something, whenever you go out on a limb… For me the voice says things like “

1. Nobody’s coming to your show.
2. Nobody cares what you have to sing about.
3. Bob Dylan already wrote all the songs.
4. Everybody is going to see the Script instead.
5. Acoustic guitars are stupid.
6. Art is stupid.
7. Why don’t you get a real job.
8. Nobody’s coming to your show.”

But that’s not real, it’s just the resistance talking, the fear. As an artist you can’t let the fear get to you. Instead we do the show, we keep believing, we make the art, we sing from our f**king hearts and no matter what we a never ever give up. That is the only thing that matters. To have the chance to sing to people and to bring some joy to their evening is a very special thing and I’m thankful for that.

I’m so excited to sing some songs with friends in the Sugar Club next week.

Hope you can be there with us and bring all your song loving friends along.

Tickets on sale through ticketmaster.ie and tickets.ie ( with the latter being the slightly cheaper option)

Best wishes

-Peter

 

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